Hi Folks,

I'd like to announce that Ford Hallam and I will be offering a pair of classes on the fundamentals of classical Japanese metalworking techniques here at my workshop in New Hampshire this May.

When I say "classical Japanese metalworking," I am referring to the type of decorative work that became famous in its adornment of Japanese swords--and not about the blades themselves.

Mr. Hallam is the top artist in the world in this ancient art, having taken highest honors at the shows in Japan for several years running. He is almost single handedly responsible for preserving and promoting the craft worldwide. To learn more about him, and about the work, you can visit his site: http://www.fordhallam.com/

Also, here is an outstanding video of his work: https://www.youtube.com/watch?v=BkhWh19fTG4

We are offering two classes this May.

The Introduction course, running from May 7 - May 11, will cover:

Tool making

Engraving technique

Metal-on-metal inlay

Carving

Patination

The Uchi-Dashi course, running from May 13 - May 17, covers the basics of uchi-dashi. In the likely event that you're not familiar with uchi-dashi, here's an explanation in Mr. Hallam's own words:

This process is sometimes described as being like Chasing and Repoussé but is actually quite different.

Uchidashi is best described as a form of metal raising with punches rather than a hammer and on pitch instead of steel stakes. This allows for quite high relief and complex forms to be worked up out of flat sheet.

Traditionally, uchidashi was the process Japanese metal artists used to create menuki, this remarkable little sculptures that adorn the hilts of the Samurai sword.

Here’s a link to a photo essay showing there technique used to create a pair of gold cherry blossom menuki.

https://plus.google.com/photos/+FordHallam/albums/5451142361930087937?banner=pwa

Space in the classes is extremely limited. While the subject matter is not explicitly related to bladesmithing, I can speak from personal experience and tell you that there is both direct and indirect application and benefit from working with Ford. He is an incredible teacher, and his instruction and guidance have completely changed the way I approach my work. If you're looking for fresh energy or a new perspective and technique to apply to your own craft, you can't do much better than working with him on these techniques.

If you would like any more information, please contact me as soon as possible at [email protected].

Thanks,

Zack